Picture of the Week 30 – Fisheye Fun in the Bookstore

Canon EOS 5D ,Sigma 15mm f/2.8 EX Fisheye
1/30s f/11.0 at 15.0mm iso800

Our travels for the last two weeks took us as far north as Portland, Oregon. One of the highlights there for us was a visit to Powell’s Books, which claims to be “the largest used and new bookstore in the world”.

I just had to have more fun with the rented fisheye. It’s interesting to compare this with last week’s fisheye shot. In the redwoods photo, all the curved lines seem to converge in the tree tops, drawing the eye to a single point in the image. In comparison, in this shot the lines are curving in a lot of different directions, which I think makes the eye wander a bit more around the image. Either shot was a lot of fun!

Next up will be an equipment review of what might well be the best photo backpack ever created. Stay tuned!

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Picture of the Week 29 – Fisheye Fun in the Redwoods

Canon EOS 5D ,Sigma 15mm f/2.8 EX Fisheye
1/200s f/5.6 at 15.0mm iso800

We visited the redwoods in Northern California. There are several State Parks and the Redwood National Park that are home to these giants, many of them more than 300 feet (90 meters) tall. This photo in particular is from the Founders Grove loop trail in Humboldt Redwood State Park.

How does one capture these enormous trees on camera? Well, try a really wide lens! I had two wide angle lenses with me: a 16-35 mm regular wide angle lens and the Sigma 15 mm fisheye lens. This photo is taken with the latter lens, as you can probably tell from the strongly curved tree trunks. A fisheye perspective isn’t always suitable for just any subject, but I think here it worked out quite well. Just be aware that the composition can be fairly sensitive to even small movements of the camera. Use a tripod if you can, although this photo was taken without one, since I was shooting straight up and just didn’t want to take the time to set up the tripod.

Incidentally, there are a substantial number of great online rental companies for camera and lens rentals. I’ve personally used lensprotogo.com and borrowlenses.com (the latter being my current favorite). Another leading site is lensrentals.com. If you have only occasional need for a specialty lens (such as a fisheye), or simply want to get a good feel for a piece of equipment before committing to a purchase, these rentals are a great option.

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Picture of the Week 28 – San Francisco Ferry Building

Canon EOS 5D ,Canon EF 24-70mm f/2.8L USM
0.60s f/16.0 at 25.0mm iso50

One of our favorite destinations in San Francisco: The Ferry Building at the Embarcadero. It is a food lover’s paradise with all kinds of gourmet and food specialty stores.

This is a shot of the inside of the building from the second story, one level above the marketplace. Access is somewhat restricted, since the second floor holds offices for the Port of San Francisco, but they allowed me to walk within a certain area. I wanted to capture as much of the space as possible, so I used my widest angle (although it appears that the zoom lens had crept from 24mm to 25mm). I didn’t have the 16-35mm lens available yet that I rented later in the day, but it would have been helpful.

Notice the long exposure time of 0.6 seconds. I chose it deliberately by using the lowest ISO (50) and a really small aperture (f/16, anything smaller would have sacrificed sharpness due to diffraction), so that any people not standing still would show a lot of motion blur, which gives the scene a more dynamic appearance. The only way to get an even slower shutter speed would have been to use a neutral density filter, one of the few filters that is still essential even in the days of digital image processing.

Primarily, however, this is an architecture shot. At least to my taste, a careful alignment of the camera is a critical ingredient to this kind of image. This pretty much necessitates a tripod, although I cheated here by using railing as support instead of a tripod. (Of course, the slow shutter speed required firm camera support in any case.) Just to brag a little, I did not crop this image out of the camera, but instead got a good alignment before I clicked the shutter.

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Picture of the Week 27 – Clown Band

Canon EOS 60D ,Canon EF-S 18-55mm f/3.5-5.6 IS
1/500s f/11.0 at 37.0mm iso400

Ok, one last photo from the San Diego County Fair for this year: This is the Circle City Sidewalk Stompers Clown Band, a fantastic 12 member brass band from Indianapolis. They are fabulous musicians and would be one of the better bands you’ve heard even if they weren’t funny, but their trademark are the clown routines and funny choreography that accompanies their performances.

This photo tries to use creative framing. The two players in the colorful red outfits and the big tuba frame the view of several other band members in the background. This is a good example of a shot where even minor adjustments in the position of the photographer can make a big difference in composition. In addition, the players were also swaying slightly while they were playing, so to get a good composition took a little patience and a few tries. Ideally, I would have liked to include the head of one more trumpet player which is obscured by the tuba.

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Picture of the Week 26 – Japanese Dancer

Canon EOS 60D ,Canon EF 70-200mm f/2.8L IS USM
1/100s f/3.2 at 145.0mm iso3200

Every couple of months, the Museum of Man in San Diego puts on a special event called Tower After Hours that features the culture and food of a particular country. A few days ago, Japan had its turn.

This shot of a colorful Japanese dancer illustrates two points: proper equipment and vantage point.

It is often stated that it is not the camera, but the photographer who creates a good image. That is certainly true, but at the same time, certain shots simply would be very difficult or impossible to get without the right equipment. The exif information of this photo shows how dim the light was. A typical kit lens with an aperture of say f/5.6 would have almost certainly resulted in motion blur because of longer shutter speeds. (I would not use flash out of respect for the performers.)

The high vantage point of being up in the balcony was also a crucial ingredient to this image. Other people watching the dance weren’t in my way. More importantly, looking down on the performer allowed me to get rid of clutter in the background. There were only two areas in the upper image corners where I cloned out distracting elements: a microphone or music stand, and a table leg. Had I been on the main floor, the background to this photo would have contained a lot of equipment.

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